Toward a General Theory of Film Spectatorship

Hori Hikari Female Agency in Japanese Film Production from the 1930s to the 1950s By investigating women's creativity, activism, and spectatorship, and the representation of women in film

Too close to see: men, women, and webcams

Internet studies researchers should consider how internet spectators are addressed and encouraged to engage. In this article, I offer some basic comments about internet spectatorship and present a detailed analysis of the ways in which spectatorship operates in the women's webcam form. Webcam spectators may have less control than they expect because women webcam operators exert authority and ac...

Disciplining the Spectator : Subjectivity , the Body and Contemporary Spectatorship

In this thesis the author argues that although questions of the spectator’s corporeal engagement with film are much neglected by film theory, the body is nevertheless a central term within contemporary cinema, in its mode of address, as a locus of anxiety in media effects debate, and as site of disciplinary practices. And while the thesis begins by demonstrating both the socially and historical...

The Viewpoints of General Dentists of Rafsanjan and Kerman toward Continuing Education Program of Restorative Dentistry

Introduction: Identifying educational needs of general dentists and prioritizing them in continuing education programs are matters of necessity. This study was conducted to identify the viewpoints of general dentists concerning their educational needs, proper methods of teaching, and implementing continuing education program of restorative dentistry in Rafsanjan and Kerman. Methods: This descr...

Moving picture puzzles: training urban perception in the Weimar ‘rebus films’

Looking over the history of cinema from the vantage point of the early twenty-first century, recent research has increasingly highlighted the similarities between the sense of possibility characterizing cinema’s early decades and our own digital era, in which the proliferation of interactive media and variable screen formats has loosened the once dominant paradigm of the passive spectator immob...